by Andrea Elizabeth
is a 2014 indie, low budget time travel film that may or may not have fatal errors (link includes spoilers). I like how it works anyway and many times prefer minimalistic staging with maximalistic psychology. From Wikipedia,
“Time Lapse is a 2014 American indie sci-fi thriller and the directorial debut of Bradley King. The film centers upon a group of friends who discover a machine that can take pictures of things 24 hours into the future, causing increasingly complex causal loops. It premiered on April 18, 2014 at the Brussels International Fantastic Film Festival.”
*my spoilers here on out* I won’t get into the mechanics but instead explore the morality from a Darwinian survival of the fittest or one with the most knowledge point of view. Yes I think it is the one with the most knowledge who survives the longest, but this cannot override fate. Niceness overrides selfishness too, but again, not fate.
The girl wanted to be loved by the boy, the boy wanted to paint, and the friend wanted money, or perhaps just winning. The girl and the friend were probably the most selfish, but the boy was stymied, and possibly a coward. The girl and friend were the most committed to their gain and the boy to altruism, but blocked. The girl’s selfishness unblocks him somehow. But her selfishness was willing to bargain. Her goals were more mutually beneficial. Letting him stay stymied didn’t do him any good either. He blamed himself for her fall, and maybe that’s fair. Her alternatives, besides the one she chose, were to give up on him and commit to someone else, which I think he would have let her do (his apathy may have made this option less attractive) or to live a life of mutual death. Both of these alternatives required giving up, which she could not make herself do.