notes after The Tragic in Ancient Drama

by Andrea Elizabeth

from Kierkegaard’s Either/Or. Seems to me that Antigone’s inheritance of her father’s guilt is voluntarily taken. Kierkegaard may have discussed it because of his inherited western tradition of inherited guilt. The fact that Antigone was so loyal to it does not have to be an ontologically given association, but could be a psychological belief in it. Kierkegaard also discussed her love for her father and the ancient Greek belief in determinism: that she was fated to protect Oedipus’s secret.

Perhaps Kierkegaard’s alternative was even more tragic to him given the romantic influence of his time.

Tragedy shows us that life isn’t fully realized in this world; it is hinted at. I hope he discusses comedy later.

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