I just now got around to watching the 1998 Robin Williams movie, What Dreams May Come, which borrows loosely from Dante’s Divine Comedy. I liked how it wasn’t afraid to deal with death, depression and despair despite the obvious problems with reincarnation, imagination, and the premise of “I think, therefore I am”. Creation is presented as an illusion and heaven takes the form of an individual’s dreams as that is how the person can relate to reality. But dreams are not reality itself, which always remains hidden. The artwork and especially the use of color is stunningly decadent, and just before the eye candy starts inducing a sugar coma, the journey leads to hell, which is thankfully more understated than heaven was.
Robin Williams comes off as a good guy, but there are cracks that I’m not sure were intentionally presented as such. The relationship with his wife is fleshed out pretty well with the good and bad, but his relationship flaws with his children is more opaque. The viewer seems more informed than Williams is. The resolution with them seems self-serving.
In our romantic fulfilment society, children are presented as an afterthought and their happiness comes way further down the list than an individual’s. And the good times with children are seen as a consolation prize to be enjoyed between the star attractiveness of the husband and wife. There are plenty of stories from a child’s point of view, but even that is the author’s point of view of a time before he found romantic fulfillment. There are some parent-child oriented stories from the parent’s point of view, but these are usually single-parents who were forced into it through abandonment by the other spouse and the inability to attain their first choice.
At least What Dreams May Come wasn’t forced to deal with the parent child relationship in that way. Perhaps the reason these stories are so oriented is that children require self-sacrifice and are not usually patterned after dreams, but harsh, fallen reality, even though God made them incredibly cute. But even in heaven, Robin Williams’ children become what he can relate to instead of who they really are. I don’t think God is that accommodating. We are the ones who have to change to accommodate reality, not the other way around, but who wants to hear that? Robin Williams does make this accommodation for his wife though, but conveniently his children didn’t need it. In reality, our spouse and our children all need it.
Before I vilify dreams too much, this morning I came across this letter from Fr. Seraphim Rose to one of his spiritual children,
D. is right – don’t be too taken up by “fantasies.” But don’t entirely squash them, either – without dreams, we can’t live! May God grant your Reuben the grace to be baptized and find his place to be a fruitful Orthodox Christian…
May God grant you to continue with such freshness towards Orthodoxy as you felt with reading St. Symeon’s Homilies! Be aware, however, that this will be possible only with sufferings; everything you need to deepen your faith will come with suffering – if you accept it with humility and submission to God’s will. (Father Seraphim Rose, His Life and Works, p. 798)
He then goes on to say a lot about accepting suffering with joy. Sorry to switch back to a movie, but What Dreams May Come probably does present a balanced view of this in Williams’ willingness to go to hell for his wife. His eye is on the prize, even when she’s at her worst, and he endures with love and joy. And I think children are glad when their father sacrifices himself for his wife. Women are typically more tuned in to the kids than men are, but I think we are confused and not entirely satisfied by this arrangement. What Dreams May Come at least considers this, but it is not the driving force of the movie. Fatherhood and father figures are more peripheral and almost expendable. Perhaps we have given up too much on this dream.